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Nirvana – B-Sides

I don’t normally make posts to mark the passing of a musician, but when it comes to Kurt Cobain, I am going to make an exception. That is because Nirvana were one of the first bands I got into where we didn’t already have some records of theirs in the collection. I remember their performance of ‘Smells Like Teen Spirit’ on Top of the Pops, and even though I was not exactly enamoured with what I heard as I did not realise that Cobain was singing the song in a lower register. The rest of the band were to taking their performance too seriously either. I’m sure it is on Youtube if you want to see for yourself. Once I heard ‘Nevermind’ though, I knew this was a band I needed to examine further. 

Even though ‘Nevermind’ was the album everyone else was buying, I thought I would buck the trend and I bought ‘Bleach’, their first album. For a long time, I preferred this one. The rawness of the production was the polar opposite to the sheen of ‘Nevermind’ and it was easy to see why Cobain felt that his artistic vision had been compromised some what by his success. He was a punk at heart, even though his songs were full of memorable melodies not normally associated with that style of music. It could be argued that Cobain would have preferred to stay an underground artist making albums in the vein of ‘Bleach’ instead of trying to keep his record company happy by producing more albums that did not deviate too far from ‘Nevermind’. However, this was not to be and on 5th April, Cobain took his own life leaving a legacy as one of the most influential musicians of the alternative rock scene. 

The remaining members of Nirvana set about securing Cobain’s legacy by releasing a live compilation called ‘Verse Chorus Verse’ and though this album was all but ready (it just need some final mixing), the project was scrapped. This was down the Bassist Krist Novoselic and drummer Dave Grohl finding the whole project overwhelming, considering how close it was what to Cobain’s death. With this, the first of an alternative history of posthumous releases, this looks at a compilation that Geffen, the bands record label could have put out as a stop gap whilst the live material project was put on the back burner for the time being. 

The music had all been released before and it would have included every B-Side not included on an album or compilation release before Cobain’s death. There was easily enough material, even though ‘Been A Son’ is on here twice. Once, as a studio cut and the second, a live performance. I have tried tried to keep the songs in the order in which they were released, but did have to move a couple around as the playing sides were too different in terms to playing time. This is because vinyl and more importantly, cassette releases needed to be catered for in the mid 90s so making sure that the playing sides matched up as closely as they could in terms of timing would have been a consideration that would have needed to be taken into account. 

I missed off ‘Big Cheese’ which was the B-Side of their debut single and not originally on the ‘Bleach’ album, it was on every subsequent (as far as I can tell) repressing. In the UK, it was there from the start. ‘Dive’, the B-Side of Sliver but would later appear on Incesticide. With ‘Oh, The Guilt’, I had got so use to hearing the remixed version from the ‘With The Lights Out’ box set that I had forgotten that there were clicks throughout this that was the sound of a lighter being struck. For a moment, I thought that my CD copy had developed a fault down the years. 

Both Endless, Nameless  and Gallons of Rubbing Alcohol Flow Through the Strip appeared on the CD versions of ‘Nevermind’ and ‘In Utero’, but where not included on the vinyl pressing (which were the versions I bought at the time). The two noise boys tracks have been included as a bonus 7” single as these would have made the LP far too long and would have been a nice bonus for this buying the vinyl version. As it is, this record is just over 50 minutes long, which is pushing it for a vinyl record. 

Side A

  1. Been A Son – Blew EP
  2. About A Girl (Live) – Sliver EP
  3. Spank Thru (Live) – Sliver EP
  4. Molly’s Lips (Live) – Candy (Split Single with The Fluid)
  5. Even In His Youth – Smells Like Teen Spirit
  6. Aneurysm – Smells Like Teen Spirit
  7. Drain You (Live) – Come As You Are
  8. D7 – Lithium

Side B

  1. School (Live) – Come As You Are
  2. Been A Son (Live) – Lithium
  3. Curmudgeon – Lithium
  4. Polly (Live) – In Bloom
  5. Sliver (Live) – In Bloom
  6. Oh, The Guilt – Puss (Split Single with Jesus Lizard) 
  7. Marigold – Heart Shaped Box
  8. MV – All Apologies
  9. I Hate Myself & I Want To Die – Pennyroyal Tea

Bonus Single (Vinyl Only)

  1. Endless, Nameless (Hidden Song on ‘Nevermind’)
  2. Gallons Of Rubbing Alcohol Flow Through The Strip (Hidden Song on ‘In Utero’)

The artwork uses an image that I found on the Behance website by contributor Julia Ro. 

This ‘lost’ album could not be replicated on Spotify.

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Restoring The Last 4 VEP British Rail Class 423 (Part 2)

The British Rail 423 class of train entered service in 1967 and continued to be a mainstay of lines in South London as well as Kent, Sussex and Hampshire for the next 38 years. Here, in the second and last part of this series, the Squire meets up with a dedicated band of enthusiasts who are looking to restore the last remaining 423.

If you wish to help with the restoration of this train, please follow this link. https://www.setg.org.uk/donate

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The Who – The Collection Vol.4

So here is the fourth and last of my Who compilations. As I said before, I have never listened to any of the bands records after they originally split up in the mid 80s so this compilation covers the period of the last albums with Keith Moon. All of the songs on Disc 1 come from ‘The Who By Numbers’ and ‘Who Are You’, except one. That song is ‘Love Is Coming Down’ which is Pete Townshend’s demo, which as far as I know has yet to be officially released. 

Disc 2 takes in the two albums recorded with Kenny Jones as the drummer and the sound of the band changes dramatically at this point. Kenny Jones is a great drummer, but he does not play in the same way as Keith Moon (who does really) and the material that was being written at this time was very different from the hard rock, progressive sound that they had for the majority of the 70s. There are a lot more electronics in there, as well as the odd drum machine. 

This was not a happy period for the band either, with tensions in the air. Jones’ drumming style had drawn criticism from some in the band. Townshend had released a solo album in 1980 and it was felt, but Daltrey most specifically, that the songs on that were stronger than the material that was presented for the ‘Face Dances’ album. Townshend had fallen into a depression and was taking drugs as well as drinking heavily. He also felt that he was not writing material that was suitable for the band so decided to leave, essentially ending the group. 

There have been numerous reunions (one of which I saw in Hyde Park in 1996) and two new albums, but they just didn’t appeal. Sometimes bands just need to know when to stop before they become just a parody of themselves. 

Disc 1

  1. Who Are You (Lost Verse Version)
  2. New Song
  3. Success Story
  4. However Much I Booze
  5. Squeeze Box
  6. In A Hand or A  Face
  7. Slip Kid
  8. Trick of The Light
  9. 905
  10. Had Enough
  11. Dreaming From the Waist
  12. How Many Friends
  13. Love Is Coming Down (Pete Townshend Demo)
  14. Guitar & Pen
  15. No Road Romance
  16. Imagine A Man
  17. They Are All In Love
  18. Blue Red & Grey

Disc 2

  1. Daily Records
  2. Athena
  3. It’s In You
  4. Did You Steal My Money?
  5. Another Tricky Day
  6. Cache Cache
  7. The Quiet One
  8. It’s Your Turn
  9. Cooks County
  10. It’s Hard
  11. You Better You Bet
  12. One Life’s Enough
  13. Somebody Saved Me
  14. Eminence Front
  15. I’ve Known No War
  16. Cry If You Want

The cover is adapted from the US version of the bands 2002 compilation, ‘The Ultimate Collection’.

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The Who – The Collection Vol.3

In the third of my Who compilations, I am looking at the period of time just after ’Tommy’ up to and including ‘Qudropheania’.  With the success of ‘Tommy’, the band became financially secure but were not keen to sit on their laurels. Having played two key festivals in Woodstock and the Isle Wight (both in 1969), the band decided to release a live album that would show how different their sound was on stage compared to the studio. ‘Live at Leeds’ is considered one of the greatest live albums of all time and some of those songs are included here as I prefer them to their studio versions. The rest of disc 1 is made up of some tracks that were written for the ‘Lifehouse Project’ with some like ‘Sister Disco’ being Pete Townshend demos. 

Disc 2 cover the ‘Quadrophenia’ sessions and so does not follow the storyline of the original album. Like Disc 2 on the previous collection, I was going with how it sounded to me as a compilation without having to worry about maintain the narrative. I used the 2011 Super Deluxe Edition of the album and took from that a number of songs that had originally been dropped from the LPs running order and some that only exist in demo form. It does not follow the story of the original album, but it still finishes with the main character of Jimmy sitting on a rock and his final fate is once again ambiguous. 

Disc 1

  1. Baba O’Riley (Instrumental Version)
  2. Heaven & Hell (Live)
  3. Eyesight To The Blind (Live)
  4. Young Man Blues (Live)
  5. Boney Marone (Live)
  6. Summertime Blues (Live)
  7. Shaking All Over (Live)
  8. Postcard (1970 Version)
  9. I Don’t Even Know Myself
  10. Sister Disco (Pete Townshend Demo)
  11. Mary (Pete Townshend Demo)
  12. Long Live Rock
  13. Love Ain’t For Keeping (New York Recording)
  14. Going Mobile
  15. Behind Blue Eyes
  16. Too Much Of Anything
  17. Greyhound Girl (Pete Townshend Demo)
  18. When I Was A Boy

This disc could not be replicated due to one ore more songs not available on Spotify.

Disc 2

  1. I Am The Sea
  2. The Real Me
  3. You Came Back (Demo)
  4. Cut My Hair
  5. Quadraphonic Four Faces (Demo)
  6. Wizardry (Demo)
  7. The Punk & The Godfather
  8. Drowned
  9. Sea & Sand (Demo)
  10. 5:15
  11. Get Inside (Demo)
  12. Joker James (Demo)
  13. I’m One (Demo)
  14. Is It In My Head?
  15. Helpless Dancer
  16. Doctor Jimmy
  17. The Rock
  18. Love Reign O’er Me

The cover is adapted from the band’s compilation ‘Meaty Beaty Big and Bouncy’ which was released in 1971. 

This disc could not be replicated due to one ore more songs not available on Spotify.

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The Who – The Collection Vol.2

By 1969, Pete Townshend had given up drugs and had taken an interest in the works of Meher Baba, an Indian spiritual master who gave teachings on two main subjects. The nature of the soul and advice on achieving spiritual ambitions. Taking these on board, he set out to develop these teachings in his music and wanted to expand on the idea of the rock opera that he had dipped his toe into with the songs ‘A Quick One, Whilst He’s Away’ and ‘Rael’. The resulting album was ‘Tommy’ the story of a deaf, dumb and blind kid who suffers from a psychosomatic condition that was caused by his childhood trauma of seeing his father killed by his mother’s lover. Eventually the mental block that has caused Tommy’s condition is broken and he becomes the leader of a religious movement that eventually collapses around him. 

To compile the first disc of this collection, I used the 2003 Deluxe and 2013 Super Deluxe editions of ‘Tommy’ as well as well as the 1998 reissue of ‘Odds & Sods’. Even though it mostly follows the story of Tommy as laid out on the original album, I have gone for what sounded good sonically instead of an understandable narrative. Well, what sounded sonically good to me anyway. ‘Tommy’ was the game changer for The Who and tuned them from a group on the slide to a commercial force that they have continued to be up to the current time. With such an album under your belt, how were they going to follow this up?

This is the point where we come to the ‘Lifehouse’ project. This is the great lost Who album project, and many people have looked to recreate what could have been. A search of the internet will throw up numerous websites discussing the album and there have been numerous attempts by other sites to create what ‘Lifehouse’ could have been. I decided against this as I didn’t want to limit myself with songs that were destined for that project. I therefore decided that anything recorded after ‘Tommy’ and before ‘Qudropheania’ could be included and that left me with two CDs worth of songs. The second being the first disc of Volume 3. This included demos for the songs that Townshend had written that would later be released on the ‘Lifehouse Chronicles’ box set in 2000. 

By 1972, The Who were light years away from the band that had released ‘My Generation’ eight years before. That did not mean that Townshend was not looking back on those days for inspiration. However, for the remainder of the 70s, the band would continue to re-imagine ‘Tommy’, with a version recorded with the London Symphony and a feature film. Both of these versions would include guests musicians singer taking on the roles originally sung by the band. Townshend also never quite gave up on the ‘Lifehouse’ project and would also return to it  at later points during the decade. 

Disc 1

  1. Overture
  2. Its A Boy
  3. 1921
  4. Amazing Journey
  5. Sparks
  6. Christmas
  7. Trying To Get Through
  8. Cousin Kevin Model Child
  9. Cousin Kevin
  10. The Acid Queen
  11. Underture
  12. Pinball Wizard
  13. Go To The Mirror
  14. Tommy, Can you See Me?
  15. Miss Simpson
  16. Smash The Mirror
  17. I’m Free
  18. Sensation
  19. Welcome
  20. We’re Not Gonna Take It
  21. Listening To You
  22. I Was

Disc 2

  1. Baba O’Riley
  2. Put The Money Down
  3. Naked Eye
  4. Getting In Tune (New York Recording)
  5. The Seeker
  6. Bargain
  7. Pure & Easy
  8. Time Is Passing
  9. Water
  10. Let’s See Action
  11. Relay
  12. My Wife
  13. The Song Is Over
  14. Won’t Get Fooled Again
  15. Join Together

The cover is adapted from the ‘Tommy’ EP the band rebased in 1970. 

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The Who – The Collection Vol.1

The Who are one of the great British bands, having come to prominence in the mid 60 and after the odd break here and there, they have continued to release new music up until the modern day. This month, I am posting a series of Who playlists that I have put together which looks at their career from 1965 to 1968. The songs here are when they went out as The Who and I did not include any of the bands recordings when they were The High Numbers as these did not fit in with the rest of the compilation, sound wise. 

The first CD cover the band in earliest incarnation as an R&B covers band and even though the band recorded enough cover versions to fill an album, these were mostly rejected in favour of material written by guitar player Pete Townshend. Even though this early period of The Who would give rise to such classics as ‘Substitute’ and ‘My Generation’, I found when putting this together that the bands covers neatly fitted into the overall sound that they had. When I normally put compilations like this together I tend to ignore covers and stick to their original material. If I had done this with The Who, this first CD would have been a bit short. 

CD 2 focuses on their next two LPs (‘A Quick One’ and ‘The Who Sell Out’), one EP (‘Ready Steady Who), and assorted singles. Townshend continued to produce a number of classic songs during this period but as this was era of the single, when it came to recording ‘A Quick One’, he didn’t have enough material to fill the record. ‘A Quick One’ is a curious beast as it is the most democratic of all Who albums in terms of songwriting credits. Either to secure a publishing deal for each member of the band, or as part of the marketing push to promote it, each member of the band were tasked with supplying at least two songs. Daltrey only managed one, so a cover of ‘Heat Wave’ was included to fill the gap. Townshend supplied what he would later call a min-opera in the form of ‘A Quick One, While He’s Away’. Made up of six songs he had not finished, the song made up a cohesive narrative of a women who’s love has been away for over a year, so she had a fling with Ivor the Engine Driver. When the original lover comes back, she reveals her transgression and all is forgiven. 

Apart from Heat Wave, the second CD shows The Who evolving away from the R&B band of the first CD and into something else. It is a bit hard to say what because in the era when everyone else seemed to be going all psychedelic, The Who did not really embrace that genre. Granted, on ‘The Who Sell Out’ there are two bonafide psych classics in ‘Armenia, City In The Sky’ and ‘I Can See For Miles’.  These two songs do not make the cut here as they did not fit into the sound of this compilation; well, to my ears anyway. ‘The Who Sell Out’ could be argued to be one of the first concept albums as it was designed to celebrate the culture of Pirate Radio, so the album was mixed with jingles and fake adverts. They recorded so much material for that album that when an expanded addition of this album was released in the mid 1990s, the compilers were able to continue the fake radio concept through out the entire CD. 

‘The Who Sell Out’ also revealed a more mellow side to Townshend with the inclusion of the beautiful ‘Sunrise’ and the almost psychedelic ‘Relax’. It is also the album with the most humour, with the bands self written adverts showing a side of the band that would rarely come to the fore after this. There was even room for a mini opera in the form of ‘Real’ and the at the time unreleased ‘Glow Girl’ gave hints as to what was coming with ‘Tommy. What these two CDs highlight is how quickly the band changed their sound and how bit by bit, the pieces for what was coming next were being put into place. 

Disc 1

  1. Out In The Street
  2. Daddy Rolling Stone
  3. Leaving Here
  4. Baby Don’t You Do It (Mono Acetate Version)
  5. Lubie (Come Back Home)
  6. Just You & Me, Darling (BBC Session Saturday Club 29/05/1965)
  7. Good Lovin’ (BBC Session Saturday Club 29/05/1965)
  8. Shout & Shimmy
  9. Instant Party mix
  10. I Can’t Explain
  11. Much Too Much
  12. The Ox
  13. Anyway, Anyhow, Anywhere (Mono)
  14. My Generation (Monaural Version w/ Guitar Overdubs)
  15. Substitute (Mono)
  16. The Kids Are Alright
  17. A Legal Matter (Monaural Version w/ Guitar Overdubs)
  18. I Don’t Mind (Full Length Version)
  19. Circles
  20. Anytime You Want Me
  21. The Good’s Gone (Full Length Version)

Disc 2

  1. Run Run Run
  2. Happy Jack
  3. Boris The Spider
  4. I’m A Boy
  5. Disguises
  6. So Sad About Us
  7. Don’t Look Away
  8. I Can’t Reach You
  9. Melancholia
  10. Jaguar
  11. Tattoo
  12. Our Love Was
  13. Sunrise
  14. Relax
  15. Magic Bus
  16. Mary Anne With The Shaky Hand
  17. Pictures Of Lily
  18. Doctor, Doctor
  19. Call Me Lightning
  20. I’ve Been Away
  21. A Quick One, While He’s Away

The cover is adapted from a band posters used to advertise some of their earliest gigs. 

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Pink Floyd – The Tea Set & The Pink Floyd Sound

Record Collector magazine, a magazine that I have been buying since since the very early 90s when I saw a picture of there Syd Barrett line up on the front cover. I had only just bought ‘Piper At The Gates Of Dawn’ and wanted to find out more about the band during the Barrett era. Anyway, Record Collector has always been a great resource for information on all sorts of artists. In an article from at least eight, if not ten years ago, it mentioned a number of acetates Pink Floyd had recorded before they adopted their famous name. Before they were the Floyd, they went by numerous monikers such as Sigma 6, The Meggadeaths, The Abdabs, The Screaming Abdabs, The Tea Set and then The Pink Floyd Sound. There would also be a number of members who would leave before the band found fame. These would include Juliette Gale, who would later marry Floyd keyboard player Rick Wright and a guitar player who went by the name of Rado Klose. 

One acetate which contained the songs ‘Lucy Leave’ and I’m A King Bee’ would appear on bootlegs over the years, but the other two did not and it was only with the release of a vinyl EP going by the name ‘1965: Their First Recordings’ that fans finally got to hear them. These songs are nothing like the Floyd of ‘Arnold Layne’ or ‘See Emily Play’, but a more R&B/Blues based sound that was the rage at the time. These songs would also be released on the ‘The Early Years 1965-1972’ box set. 

Whilst trawling through fan made Pink Floyd LP sleeves, I came across this sleeve. The photo includes Rado Klose (he is the chap on the left) and I think it was taken in the back garden of 39 Stanhope Gardens, Crouch End, where Roger Waters and Nick Mason lived at the time. I thought it would be a nice bonus to present this as an EP the band could have put out if they had signed a contract with Columbia earlier than they did in reality. After all of the other Pink Floyd bits and pieces that have been presented this month to include this one as well. 

Side A

  1. Double O Bo
  2. Remember Me

Side B

  1. Walk With Me Sydney
  2. Butterfly

As I was at it, I thought I might as well make a picture sleeve for the other two tracks. ‘Lucy Leave’ and ‘I’m A King Bee’. I thought I would use the name the band were using at the time these tracks were recorded which was The Tea Set. If this were to have been made back in 1964/5 for a UK releases, it is possible that only the promo version would have had a picture sleeve like this. We in the UK didn’t seem to warrant picture sleeves back in the day. If we were on the continent though, they did produce picture sleeves so let’s pretend it comes from Germany. 

Side A

Lucy Leave

Side B

I’m A King Bee

As was mentioned earlier, I found this cover online but I did not make a note of who made it. The same with the ‘Lucy Leave’ single which was adapted from someone else work. Thanks whoever you are. Good job on both fronts. I was also surprised to find all of these songs on Spotify. 

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Pink Floyd – The Man & The Journey

This is another what-if album I put together because of the mock up sleeve that was on the website https://idesignalbumcovers.tumblr.com. ‘The Man & The Journey’ was a suite of music the band performed during their tour of 1969. The songs in this concert included some that had already been released, some that would appear on some future releases (like ‘Ummagumma’, ‘More’ & ‘Relics’), and some would stay unreleased. Even though a live album was considered at the time, it didn’t happen due to the overlap of material with ‘Ummagumma’. One of the shows from the tour was widely bootlegged as it was take from a show played in Amsterdam, but it was missing some of the material. 

An almost complete show was eventually released in 2016 on ‘The Early Years 1965-1972’ box set. It was almost complete because in the set list, there was a performance called Teatime which was positioned between Work and Afternoon. It was removed because it was during this time that the band would not play anything but instead be served with cups of tea. This was essentially 3 mins and 36 of near silence. The estate of John Cage would most probably sue. 

The loose concept of the album is that the first disc follows the man during his everyday life, but the second disc is the journey. What this journey is and where it goes is unclear. However, what is clear is that this was the beginning of Pink Floyd as a band that would produce music based on a theme which would be developed over the next few years until it culminated in the release of Dark Side of the Moon. 

If it had actually been released in 1969 as suggested, it would have worked as a double vinyl album because the timings of the sides actually match up quite closely. The timing was also helped with Teatime being removed. On reflection, it is a shame that this wasn’t released in place of ‘Ummagumma’ because even though it is a definite period piece, The Man & The Journey works better as a piece of music and as an album. ‘Ummagumma’ may have its fans but I am not one of them. 

Side A

  1. Daybreak (Grantchester Meadows)
  2. Work
  3. Afternoon (Biding My Time)

Side B

  1. Doing It
  2. Sleeping
  3. Nightmare (Cymbaline)
  4. Labyrinth

Side C

  1. The Beginning (Green Is the Colour)
  2. Beset by Creatures of the Deep (Careful with That Axe, Eugene)
  3. The Narrow Way, Part 3
  4. The Pink Jungle (Pow R. Toc H.) 

Side D

  1. The Labyrinths of Auximines
  2. Footsteps/Doors
  3. Behold the Temple of Light
  4. The End of the Beginning (A Saucerful of Secrets)
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Psychedelic Pernambuco Vol.2

As I said back in May of 2021, I have a real soft spot for music that came out in the Psychedelic Years of 1966-1969, and when I first getting into ‘it’, I only thought that this sort of music was produced in the UK and USA. As I showed in that previous post, it did not take long to discover that the rest of the world wasn’t that far behind. I did cover this this topic in Episode 80 and 81 of the my podcast under the title of ‘Mundo Psych’. As I said previously, those shows only scratched the service of what there was, and so this month I present a second volume look at this genre from around the world. 

Some of these songs could be argued to be bordering on Progressive Rock, but this works well as a compilation and a genre label is pretty loose anyway.

Disc 1

  1. Bahjan – Oraçao Para Shiva – Lula Côrtes
  2. Vurulduk Ey Halkim Unutma Bizi – Selda
  3. Kimi Ha Darenanda – Tokedashita Garasubako
  4. Silver Trees – Abstract Truth
  5. 78 Rotacoes – Geraldo Azevedo
  6. Roaming – La Fachada De Piedra
  7. Keep It Cool – Speed, Glue & Shinki
  8. Tao Longe De Mim – Os Brazões
  9. Novena – Geraldo Azevedo
  10. Dunden Bugune – Baris Manco
  11. Elergy – Suck
  12. The Train – Ernan Roch Con Las Voces Frescas
  13. Los Momentos – Blops
  14. In This World – Kissing Spell
  15. Yellow Sea Days – Traffic Sound
  16. Razao De Existir – A Bolha
  17. Nasil Ne Zaman – Hardal
  18. Color Humano – Almendra
  19. Blind Bird – The Mops
  20. 1999 – Freedoms Child

Disc 2

  1. Aglarsa Anam Aglar – 3 Hur-El
  2. Suavecito – Traffic Sound
  3. Forgiveness – Monik
  4. Baby English Version) – Os Mutantes
  5. Chuvas De Verão – Caetano Veloso
  6. Glória – Tom Zé
  7. We Wish To be Listened – Illicit
  8. Qualé A Sua – Rubinho E Mauro Assumpçao
  9. Kafkasque – Freedoms Children
  10. You Know What I Mean – Justin Heathcliff
  11. Freedom Of A Mad Paper Lantern – Shinki Chen
  12. Macarrão Com Lingüiça E Pimentão – Rita Lee
  13. Sunshine Love – Rikki Llionga
  14. Cuantos Que No Tienen Y Merecen – La Congregación
  15. Tu, Yo Y Nuestro Amor – Tumulto
  16. Gonul Sabreyle Sabreyle – 3 Hur-El
  17. Canto Sin Nombre – Embrujo
  18. Tramba – Paulo Bagunca
  19. Pisándose La Cola – Blops
  20. Peace On You – Mack Sigis Porter
  21. Sunset – Jang Hyun
  22. Heartbreaker – Aguaturbia