When I heard that there was going to be a collaborative album between the sweet sounding Campbell with the life lived baritone of Lanegan, I thought it was an April Fool’s. It just goes to show how wrong you can be. The duo produced three albums along with associated singles/EPs between 2006 and 2010. With Lanegan’s passing in 2022, the chance of the pair recording together again has now passed.
Campbell was the driving force behind this pair up, writing most of the songs as well as producing the records but did not want to continue touring. The grind of going out on the road was one of the reasons she had quit Belle and Sebastian back in 2002. The relationship with Lanegan had also become strained but what we got when they did work together, it was a modern version of Nancy Sinatra and Lee Hazlewood. Enjoy.
Dusty Wreath
We Die & See Beauty Again
You Won’t Let Me Down Again
Snake Song
Shotgun Blues
The False Husband
Deus Ibi Est
Ramblin’ Man
Time Of The Season
Something To Believe
Come On Over (Turn Me On)
Cool Water
Saturday’s Gone
Lately
Rambling Rose, Clinging Vine
No Place To Fall
Trouble
Revolver
Keep Me In Mind Sweetheart
The Circus Is Leaving Town
The cover is adapted from the duo’s third and final album, ‘Hawk’. This play list could not be reproduced with one or more songs not being available on Spotify.
I only started buying Isobel Campbell’s solo records once she had left Belle and Sebastian. This occurred after the release of the bands ‘Storytelling’ LPs and it as though her leaving was one of the reasons why some of the tweeness left the band. What I didn’t realise until much later is that she released two album whilst still a member of Belle and Sebastian under the name of The Gentle Waves. These Gentle Waves albums could even be considered lost Belle and Sebastian albums as members of the band provide backing to her songs. Campbell released a number of records until 2006, when she collaborated with Mark Lanegan on a number of albums, but more on them later in the month. After the release of he last Campbell/Lanegan collaboration, there was silence for ten years. That does not mean that Campbell wasn’t doing anything. She had moved to American with her husband and had recorded an album but when her label folded, she spent a long time trying to obtain the rights to her own recordings so she could release them herself. Luckily for us, she did this and when ‘There Is No Other’ came out in 2020, there was an option to buy the album with a different, acoustic mix. Any songs where I have used these acoustic versions have been listed as such. Enjoy.
Disc 1
Milkwhite Sheets
Bang Bang
Hold Back A Thousand Years*
Solace Of Pain*
Renew & Restore*
Time Is Just The Same
Evensong*
Weathershow*
Song For Baby
Argomenti
This Land Flows With Milk
Beggar, Wiseman or Thief?
Hori Horo
O Love Is Teasin’
Are You Going To Leave Me?
Monologue For An Old True Love
Loretta Young*
The Breeze Whispered Your Name (Part 2)
There is No Greater Gold*
Let The Good Times Begin*
There Was Magic, Then…*
Rose, I Love You*
Thursday’s Child (Coda)*
This play list could not be reproduced with one or more songs not being available on Spotify.
Disc 2
City Of Angels
Rainbow (Acoustic)
Ant Life (Acoustic)
Just For Today (Acoustic)
The National Bird Of India
Runnin’ Down A Dream
Love For Tomorrow
Johnny Come Home
Falling From Grace*
Pretty Things*
Flood*
Reynardine
Tree Lullaby*
Yearning
Vultures (Acoustic)
See Your Face Again
Loving Hannah
Willow’s Song
Hey World (Acoustic)
Emmanuelle, Skating On Thin Ice*
Enchanted Place*
The Heart of It All (Acoustic)
A Chapter In The Life Mathiew*
*The Gentle Waves
Some of these songs are from the acoustic version her last album. This play list could not be reproduced with one or more songs not being available on Spotify.
The cover is adapted from the EP, ‘Time Is Just the Same’.
Before I start talking about the band in this era, I will point out that a couple of the tracks on this compilation come from the bands tenure on the Jeepster label. I quite liked the tunes and couldn’t find a place for them on the Jeepster compilation, so I thought I would use them here. They don’t sound out of place which is a bonus.
The bands time on Rough Trade started with intent as they had Uber producer Trevor Horn to work on their ‘Dear Catastrophe Waitress’ LP. It not only signalled a period of time on a new label, but a newish sound. The songs were not as twee as they once were as the songs had a bit more production to them. The instrumentation more diverse and they also started to release singles that was already on an album, which was a change from what had gone before. With Trevor Horn on board, the fact that the band became louder and more mainstream should not have been a surprise.
This period also produced the ‘God Help the Girl’ project. This was initially an album of songs sung by women but written by Belle and Sebastian’s main songwriter, Stuart Murdoch. Though not classed as a Belle and Sebastian album, I have included songs from this project here because they fit in with the overall sound. These records also had a number of people from the band playing on them so that is close enough for me. The project would eventually lead to a film of the same name and because there was such a focus on this, there was only one Belle and Sebastian album released between 2007 and 2015.
Disc 1
Fiction
I Didn’t See It Coming
God Help The Girl*
Come On Sister
The Blues Are Still Blue
Last Trip
Funny Little Frog
I’ll Have To Dance With Cassie*
Pretty Eve in The Tub*
Your Cover’s Blown
You Don’t Send Me
Song For Sunshine
Calculating Bimbo
Dress Up In You
If You Could Speak*
The Psychiatrist Is In*
Baby’s Just Waiting*
Stay Loose
Perfection Is A Hipster*
Mornington Crescent
Fiction Reprise
Disc 2
Act Of The Apostle*
I’m In Love With The City*
Susie In The Graveyard
He’s A Loving Kind Of Boy*
Stop, Look & Listen
Blue Eyes Of A Millionaire
If She Wants Me
Suicide Girl
White Collar Boy
Dear Catastrophe Waitress
Come Monday Night*
Little Lou, Ugly Jack, Prophet John
Musician, Please Take Heed*
I Just Want Your Jeans*
Roy Walker
We Are The Sleepyheads
Another Sunny Day
I’m A Cuckoo (Single Version)
I’m Not Living In The Real World
Asleep On A Sunbeam
A Down & Dusky Blonde*
I Took A Long Hard Look
Night Walk
The cover of this compilation is adapted from the album, ‘The Life Pursuit’.
This month, I will be focusing on Belle and Sebastian, as well as the solo career of past member Isobel Campbell. I think the first time I heard of this band was when they won the British Breakthrough act at the Brit Awards in 1999. I did ask myself who they were especially as their victory annoyed Pete Waterman who felt that Steps, a group he produced should have won claiming Belle and Sebastian had rigged the online vote to win. The Brits checked the votes and found nothing wrong, but any band that can annoy Pete Waterman is alright with me. It was not long after this that I read that their first album from three years before was going to be re-released. I was also interested in this release because ‘Tigermilk’ which was the name of the first album had only originally been released in a limited edition of 1000. I went down to my local Our Price (remember them?) and ordered it.
‘Tigermilk’ was a lot more twee than the majority, if not all of the records I owned up to that point but I loved it. It is one of the few albums I can put on and play all the way through without wanting to skip over a single song. From the opening song, ‘The State I Am In’, I was hooked. Considering this album was made as a college project, it is better than a lot of more famous albums that had a lot more money thrown into its production. Just goes to show you that money doesn’t buy you everything. After the first play through, I knew had to find out what other records they had made.
At that point, it included three albums and four EPs which rather quickly made their way into the Squire Archive. The first two albums were both originally released in 1996 and the second was called ‘If You’re Feeling Sinister’. I found this album a bit hard to get into initially but with perseverance, it paid dividends. The band spent 1997 releasing a number of EPs instead of an LP. The first one was ‘Dog On Wheels’, which is essentially the demos that the college heard which lead to the recording of ‘Tigermilk’. Two more EPs followed, each with a number of classy songs but would show the way forward for the group as they contained songs not written by main writer, Stuart Murdoch. This democratic approach would continue into their third record, ‘The Boy With The Arab Strap’.
With all this great music blaring out of my stereo system, I began to look forward to the next album. I did not have to wait long for. “Fold Your Hands Child, You Walk Like A Peasant” came out in 2000 and I remember being very disappointed with it but there were still a couple of good tunes on here for me to enjoy. The band ticked over between this and their last album on the Jeepster label by releasing some singles, none of which appeared on any of the LPs. You cannot accuse Belle and Sebastian of not giving their fans value for money. This view all came crashing down with their last album on the Jeepster label which was called ‘Storytelling’. The album was meant to be the soundtrack to a movie of the same name, but only six minutes of music was used. Without looking at it too much, I’m sure I did not use that much more on this compilation either. It was an album of musical cues and most probably a contract filler. The band would sign with the Rough Trade label for their next release.
Even though they could not maintain the quality of the songs (what band can?), there was so much great material during the years they were with the Jeepster label that I could produce a three disc compilation. I love this era of the band and I especially love the music contained on the first two disc. It brings back lots of memories of a time in my life and in their win at the 1999 Brit Awards, showed that manufactured groups did not always get their own way. All of these songs were available on Spotify so the playlists are available to listen to.
Disc 1
The State I Am In
Expectations
She’s Losing it
You’re Just A Baby
Get Me Away From Here, I’m Dying
If You’re Feeling Sinister
I Don’t Love Anyone
Photo Jenny
I Know Where The Summer Goes
Mayfly
I Could Be Dreaming
Lazy Line Painter Jane
My Wandering Days Are Over
Mary Jo
Ease Your Feet In The Sea
Like Dylan In The Movies
Beautiful
The Rollercoaster Ride
Disc 2
It Could Have Been A Brilliant Career
Is It Wicked Not To Care?
Seeing Other People
The Loneliness Of The Middle Distance Runner
The Model
Don’t Leave The Light On Baby
The Boy With The Arab Strap
Chickfactor
I Love My Car
Seymour Stein
Women’s Realm
Waiting For The Moon To Rise
A Summer Wasting
Marx & Engels
The Gate
Take Your Carriage Clock & Shove It
We Rule The School
The Chalet Lines
Judy & The Dream Of Horses
Electronic Renaissance
Songs For Children
Disc 3
I Fought In A War
Black & White Lines
Storytelling
Wandering Alone
La Pastie De La Bourgeoise
Me & The Major
Nothing In The Silence
Big John Shaft
The Wrong Girl
There’s Too Much Love
Put The Book Back On The Shelf
Simple Things
Dirty Dream Number 2
Winter Wooksie
A Century Of Fakers
Nice Day For A Sulk
Family Tree
The Boy Done Wrong Again
The Magic Of A Kind Word
The Fox In The Snow
You Made Me Forget My Dreams
This Is Just A Modern Rock Song
The front cover is the same as the cover to the ‘Dog On Wheels’ EP.
By the time Led Zeppelin’s forth album came out in November of 1971, they were well on their way to becoming one of the biggest bands in the world. The band had released four albums in three years since 1969 and during the recording of those albums, some fully formed songs were left in the can. There was talk about putting out their fourth album as a double, or even as a set of four EP’s. This plan was ditched though and fans had to wait until 1973 for their fifth album, ‘Houses of the Holy; to come out. A gap of a year between albums was not unheard of at this point, but was still rare.
In April of 1972, the band moved to Mick Jagger’s home, Stargroves, to record their next LP. Hiring the Rolling Stones Mobile Studio, they set to work. They also had to find the time to rehearse for the live shows that took place in Australasia, North America, Japan and the UK. So as to not to lose momentum, what if the band’s management thought that a stop gap album of outtakes would keep the band in the public consciousness, and also find a home for the material the band had been stockpiling*. With the release of the Led Zeppelin box sets in the 1990s and the deluxe edition in the second decade of this century, this task has been made considerably easier.
Looking back at the first album, there was ‘Sugar Mama’. Credited, when it was eventually released, to Page and Plant, this was an old blues standard given the Led Zep treatment. ‘Baby Come On Home’ is also pulled from those first album session tapes. Another song credited to Page and Plant, but was based on a song of the same title written by the legendary Bert Burns so he received a co-writing credit as well. There were no unreleased finished songs from the second album and when looking at the deluxe edition of that album which came out in 2014, it is easy to see why. The bonus tracks on that collection are mostly backing tracks and rough mixes for the songs that were released on the parent album. The second album most probably suffered from a dearth material as they did spend a good deal of 1969 touring. It is amazing they produced anything at all that year, let alone an album with some rock classics on it as ‘Whole Lotta Love’ and ‘Heartbreaker’ on it. The rest of the album isn’t too bad either.
After the hectic touring and recording schedule that was 1969, Page and Plant retreated to Wales to take a break and to write some new material. This lead to a more pastoral sounding album and a number of outtakes, raining from the beautiful ‘Bron-Yr-Sur’ to the reimagined blues medley of ‘Key To The Highway/Trouble in Mind’. The sessions for this album produced the only song to have been released at the time this album could have been compiled, and that is ‘Hey Hey, What Can I Do’. This was the B-Side to the ‘Immigrant Song ‘single, but as this single was not released in the UK, this album (if it had been released) would have been the first time many British fans of the band would have heard it.
There would have been a case for putting on a couple of studio jams, and two could have been put forward. ‘Jennings Farms Blues’ (which would develop into Bron-Yr-Aur Stomp) as well as ‘St. Tristian’s Sword’. Both of these were recorded during the Led Zeppelin III sessions. Both being unfinished run throughs meant that they do not warrant too many repeat listens. However, it could have been felt that putting them in the record as a bonus seven inch record would have made the record better value for money for the bands fans. Doing this would have made this record one of the first to put in a bonus single in this way. Led Zeppelin’s fourth album contributed the rest of the album outtakes but this would not have been enough to fill out an entire album. Another look through the archive would have meant using a song that was recorded for the BBC that had not been released before. ‘Travelling Riverside Blues’ was chosen and ‘We’re Gonna Groove’, which had been recorded live at the Royal Albert Hall in 1970, but with some guitar overdubs and the audience noise removed.
One song that was considered for this collection and not used was ‘No Quarter’. An early version of this had been recorded at the fourth album sessions, but had been left unfinished. It would be resurrected for the ‘Houses Of The Holy’ album.
Considering this is an album of outtakes and live tracks, this is a pretty solid collection. With ‘Houses Of The Holy’ not coming out until March 1973, this would have been a perfect stop gap for the band whilst they continued to tour and work on new material. The late summer of 1972 would have been a perfect time to release this, especially as Led Zeppelin would have just finished their North American tour and before they went to Japan and the UK in the October.
Would this album have ever been considered back in 1972? No chance. Considering it has taken the best part of 50 years for some of this material to come out, there was no way this would have come out in 1972. A shame really as I suspect there would have been a few bands back in the day who would have loved such a high quality record being released under their name.
Side A
Poor Tom – Third Album Outtake – Original Released on Coda (1982)
Down By The Seaside – Fourth Album Outtake – Originally Released on Physical Graffiti (1975)
Night Flight – Fourth Album Outtake – Originally Released on Physical Graffiti (1975)
Baby Come on Home – First Album Outtake – Originally Released on Box Set 2 (1993)
Hey Hey What Can I Do – Third Album Outtake – Originally Released on the B-Side of Immigrant Song (1970)
Side B
Key To The Highway/Trouble In Mind – Third Album Outtake – Originally Released on Led Zeppelin III Deluxe Edition (2014)
We’re Gonna Groove – Recorded Live 1970 – Originally Released on Coda (1982)
Sugar Mama – First Album Outtake – Originally Released on CodaDeluxe Edition (2015)
Boogie With Stu – Fourth Album Outtake – Originally Released on Physical Graffiti (1975)
Travelling Riverside Blues – BBC Session – Originally released on Box Set 1 (1990)
Bron-Yr-Aur – Third Album Outtake – Originally Released on Physical Graffiti (1975)
Bonus Single
Jennings Farm Blues – Third Album Outtake – Originally Release on Led Zeppelin III Deluxe Edition (2014)
St. Tristan’s Sword – Third Album Outtake – Originally Release on Led Zeppelin III Deluxe Edition (2014)
Album artwork found on Reddit can created by u/Mellow_404.
*This actual happened when the band completed the sessions for the album Physical Graffiti. They had three sides of music they wished to release and placed some outtakes on there to make up the numbers.
On 26th January 1871, twenty one rugby clubs met in London to found the Rugby Football Union. Eight of them still exist, but what happened to the others? Found out their legacy as The Squire looks at the histories of these long lost clubs in the second of this two part series.
Looking back, over 50 years since their first album was released, it might be hard for the audience today to get their heads around the amount of albums this band sold. Every single one of their records released in their ten year of recording new material achieved Platinum status in the US and UK markets and their fourth album has sold over 20 millions copies in the America alone. The band have also tightly controlled their output, famously not releasing an official single in the UK until 1997. The 70s were their decade but they did not last into the next decade having decided not to continue after their drummer, John Bonham, died in 1980.
I knew very little about Led Zeppelin before 1990, and then I heard Stairway to Heaven on the radio. Asking around, I found a friend at school had a copy of the album that song came from and lent me the record. I was hooked. This just happened to coincide with my first forays into buying my own records instead of just what was in the house. Coincidently, it was around this time that the band announced that they going to release a 4 CD Boxed Set, remixed by Jimmy Page who had not only played on all of the albums but had produced them the first time around. I had to have it and on Christmas Day morning, there it was.
I seem to remember the set was produced because Page was annoyed with the mastering job that had been done on his music when they first released on CD and felt that he could do a better job. He was not wrong in that respect. The sound is in you face from the moment ‘Whole Lotta Love’ comes out of the speakers. The rest of the first CD is uniformly excellent with enough light and dark in the music to show that they are not just a hard rocking outfit. CD 2 is a bit more folkie and mellow and that was all I could take on the first sitting. It took me a while too warm to the music on the latter discs, especially CD 3. Like most bands I like, the longer they go on, the less I seem to like the music. The CD 4 was the same.
What annoyed me a little bit about this Boxed Set was that at the same time, a two disc highlights set was also released and contained the song ‘Good Times Bad Times’ that was missing from the set I had. With funds limited, there was not way I was going to be able to buy the two disc set just for one song. I was also able to borrow most of the individual albums off of other people to hear the songs that I was missing and I left it at that. However, Led Zeppelin did something that no other band have done to the best of my knowledge. That was, they released another Boxed Set which included all of the songs not on the 1990 set. This meant that I now had every song from their albums including BBC sessions, unique remixes and outtakes. Well done Zeppelin; an excellent example to other bands of not ripping off your fans.
This compilation is my own best off of Zeppelin songs over three discs as they produced so much good music that it had to be that long. Enjoy!
Disc 1
Good Times Bad Times
Living Loving Maid (She’s Just A Woman)
Whole Lotta Love
Heartbreaker
Communication Breakdown
Babe I’m Gonna Leave You
What Is & What Should Never Be
You Shook Me
Boogie With Stu
Tangerine
Baby Come On Home
Thank You
Gallows Pole
Ten Years Gone
Kashmir
When The Levee Breaks
Disc 2
Black Dog
Over The Hills & Far Away
Immigrant Song
Bron-Y-Aur Stomp
Black Country Woman
Rock & Roll
Four Sticks
Misty Mountain Hop
The Battle Of Evermore
Hey Hey What Can I Do
Going To California
Down By The Seaside
That’s The Way
Ramble On
The Rain Song
Stairway To Heaven
Disc 3
Your Time Is Gonna Come
Black Mountain Side
Travelling Riverside Blues
The Girl I Love She Got The Long Black Wavy Hair
The Lemon Song
Since I’ve Been Loving You
How Many More Times
South Bound Suarez
Bring It On Home
The Rover
Poor Tom
Houses Of The Holy
Custard Pie
I’m Gonna Crawl
All My Love
Bron-Yr-Aur
I used the artwork from that 1990 box set for this collection. To me, it was perfect.
On 26th January 1871, twenty one rugby clubs met in London to found the Rugby Football Union. Eight of them still exist, but what happened to the others? Found out their legacy as The Squire looks at the histories of these long lost clubs.
The shirt designs can all be purchased from https://www.blackandblue1871.com
In 2016, The Rolling Stones released ‘Blue & Lonesome’, their first covers LP and it was harking back to their roots as it consisted entirely of blues based music form the likes of Little Walter, Willie Dixon and Magic Sam. The album was a critical and commercial success as it made the top five in the majority of the major record buying markets. With this in mind, I was surprised that The Stones had not done this before.
Looking back at their earliest albums where they were more covers than originals, The Stones showed their was more to they influences than the blues by covering R&B and Rock n Roll numbers. This would continue until the writing team of Jagger and Richards got into their stride just before the release of the ’Aftermath’ album. However, during those formative years they recorded a good deal of material, especially when they were touring in the USA that has not escape the vault in a legitimate sense. Considering that The Rolling Stones are one of the premier league 60s bands, it is surprising that a reissue campaign of deluxe editions or archival releases has not seen the light of day. This might have something to do with the stand off with ABKCO which is a story for another time.
As has already been noted, Jagger and Richards were really coming together as a song writing partnership and were so happy with the songs that they had recorded in late 1965 that they wanted to rush release the sessions as an album called ‘Could You Walk On The Water’. A cover was put together using a shot taken a photoshoot at a Californian reservoir. Decca, the bands record label refused to release it but the cover would see the light of day when it was used on the compilation ‘Big Hits (High Tide & Green Grass)’. Another recording sessions would lead to another batch of original songs being recorded and were used on ‘Aftermath’.
However, what if Jagger and Richards had still not found their writing chops by late 1965, or if they decided to clear some of the songs that they had recorded so they could come out all guns blazing in 1966 as a band that could produce albums of self written material? If we look at the bands recordings up until the end of 1965, there is enough in the can to produce an album of a similar structure to what had gone before. If we also look at the UK releases up to 1965’s ‘Out Of Our Heads’, each had twelve songs so was there enough to produce a good blues/R&B style record? There was, even though I did start off with ‘I Want To Be Loved’ as the opening track which dates from 1963 as the opening song. It had been the B-Side of ‘Come On’, their first single and had not been included on a UK album release at that time.
The A-Side of this record is very much a blues inspired affair, with a rare instrumental by the band in the form of band composition ‘Stewed & Keefed’. Side B opens with another rarity in form of a song written by Bill Wyman. As far as I can tell, he only received credit for three compositions during his time in the band (even though he would claim that he contributed to a lot more). Like the A-Side, the focus is blues with the Jagger/Richards songs showing their Chuck Berry and Chicago blues influences on their sleeves.
As albums go, this would have not sounded out of place in the mid 60s, especially when comparing it to other Stones albums of the time. This would also have been quite a nice release for the Christmas market in 1965, especially if you consider that the bands US fans got ‘December’s Children (& Everybody’s)’. With a title that the record company did not like and with bands always moving on and not looking into their archives at this time, an album like this would not have been released in the 60s. However, it would have been a nice 60s equivalent to the ‘Blue & Lonesome’ released 50 years later.
Side A
I Want To Be Loved* (Dixon) Olympic Studios, London – 10th May 1963
Tell Me Baby, How Many More Times (Broonzy) Chess Studios, Chicago – 10th/11th June 1964
Go Home, Girl (Alexander) Decca Studios, London – 16th July 1963
High Heeled Sneakers (Higginbotham) Chess Studios, Chicago – 10th/11th June 1964
Stewed & Keefed (Phelge) Chess Studios, Chicago – 10th/11th June 1964
Meet Me At The Bottom (Dixon) Chess Studios, Chicago – 8th November 1964
Side B
Goodbye Girl (Wyman) Chess Studios, Chicago – 8th November 1964
Don’t Lie To Me (Jagger/Richards) Regent Sound Studios, London – 12th May 1964
Reelin’ & Rockin’ (Berry) Chess Studios, Chicago – 11th June 1964
Key To The Highway (Segar) Chess Studios, Chicago – 8th November 1964
Looking Tired (Jagger/Richards) RCA Studios, Hollywood – 6th September 1965
I’ve Been Loving You Too Long (Redding/Butler) RCA Studios, Hollywood – 12th/13th May 1965
All of these songs were unreleased up until the end of 1965 except for ‘I Want To be Loved’ which had been the B-Side of ‘Come On’, the bands first UK single.
And so we reach August. This is the time of year when the majority of schools in the UK and therefore the general population are on holiday. What better time to share the third and last (so far) of my compilations looking at the wonder of the Sunshine Pop genre. There are the usual suspects in here (The Association, The Millennium and the 5th Dimension) but also some more obscure artists such as Griffin, The Parade and The Arbors with their rather fine cover of ‘Touch Me’ by The Doors. Remember folks, the night are now drawing in and it will soon be Christmas.
Disc 1
Someday Man – Paul Williams
Rumours – Eternity’s Children
Sweet Pea – Tommy Roe
Hands Off The Man (Film Flam Man) – Peggy Lipton
Sugar Town – Nancy Sinatra
Odds & Ends – Dionne Warwick
Sweet Blindness – The 5th Dimension
Hotel Indiscreet (Mono Single Version) – Sagittarius
I’ll Never Find Another You – The Seekers
It’s Getting Better – Mama Cass Elliot
Frog Prince – The Parade
Don’t You Care – The Buckinghams
Kissin’ My Life Away – The Hondells
Along Comes Mary (Single Version) – The Association
Sunday Will Never Be The Same – Spanky & Our Gang
(They Long Top Be) Close To You – Josie & The Pussycats
Touch Me – The Arbors
So Many People (Mono Single Version) – Paul Williams
Oh What A Lovely Day – Twinn Connexion
Master Jack – Four Jacks & A Jill
Don’t Sleep In The Subway – Petula Clark
I’ll Never Fall In Love Again – Dionne Warwick
You’re So Good For Me – Twice As Much
She’s Not Coming Home – Ohio Express
My Sentimental Friend – Herman’s Hermits
Share With Me – The Millennium
Sister Marie – Chad & Jeremy
Always You – The Sundowners
Disc 2
Come To The Sunshine – Van Dyke Parks
Green Tambourine – The Lemon Pipers
Early In The Morning – Vanity Fare
Baby, It’s Real – The Millennium
Luckie (Mono) – Laura Nyro
Cynthia At The Garden – Sidewalk Skipper Band
Yours ‘Till Forever – Griffin
If You Don’t Want My Love – Robert John
From You Unto Us – Eternity’s Children
Sweet Sounds – Tommy Roe
Flying On The Ground – Summer Snow (feat. The Peppermint Trolley Company)
Brandy (Doesn’t Live Here Anymore) – The Eight Day
My World Fell Down (Stereo Single Version) – Sagittarius
There’s Got To Be A Word – The Innocence
Beautiful People – Kenny O’Dell
Riding A Carousel – Petticoat & Vine
Come On In – The Association
She’d Rather Be With Me – The Turtles
Hey Baby (They’re Playing Our Song) – The Buckinghams
And Suddenly – Cherry People
I Can Make It With You – Pozo-Seco Singers
Neon Rainbow – The Box Tops
Pageant – Blades Of Grass
Mornin’ I’ll Be Movin’ On (Mono Single Version) – Paul Williams
Make You’re Own Kind Of Music – Mama Cass Elliot
Living Together, Growing Together – The 5th Dimension
