Category: Lost Album

I didn’t realise until putting this entry together that Radiohead’s ‘OK Computer’ was a bit of a Marmite album. Either touted as one of the greatest or most overrated albums of all time, it was for a time the only Radiohead album I owned. I had tried getting into Radiohead after hearing ‘Creep’ for the first time, but ‘Pablo Honey’, the album from which that song was taken did not inspire me to buy anything else at the time. This began to change once some of the songs that were on their second album, ‘The Bends’ started appearing on compilation albums I bought at the time. ‘High & Dry’, ‘Fake Plastic Trees’, ‘Just’ and ‘Street Spirt (Fade Out)’ all made it onto mix tapes from the time but the parent album would have to wait until it was re-released on vinyl about twenty years after the event for me to take the plunge and buy it. There were no such qualms with ‘OK Computer’ though. 

I’m not sure if it was ‘Paranoid Android’ or ‘Karma Police’ that made me feel that this album could be a welcome addition to the Squire Archives, but in it came and what an experience it was. It sounded like a complete album, and not a couple of great singles tagged with some substandard filler. This was prog rock for the 90s. It also signalled the death nail for the ‘Britpop’ movement as this complex style of writing and arranging would influence many acts that produced music over the following years.

I had not played ‘OK Computer’ as a whole for many years. What brought the album back to my attend was reports that a number of MIniDiscs that had belonged to Thom Yorke had been stolen. The story went that the band were contacted by the owner of the sound files and threatened with the whole lot being made available on line without a payment being made. If this happened or not is neither here nor there, but the band decided to officially release the music for a short period of time. In return, the band asked the buyers to donate to Extinction Rebellion. 

So, being a huge fan of the record, I duly paid my money and slowly made my way through the files. Luckily, fans online published playlists for these discs but it took an age to edit them down into individual songs and then listen to them through. Even though the majority of it was not worth even one listen, there was some great outtakes that had not been officially released before and it does beg the question, why not? Picking up a copy of the OKNOTOK 19972017 edition of ‘OK Computer’, I wondered if I could put together an alternative version of the record. 

What I did was to only use songs that I had not used on other compilations elsewhere. I would also add songs that had either been used as B-Sides or previously unreleased. The rest would be made up of different versions (and in some respects, the differences are negligible) of the songs that would make up rest of the record. I did delete ‘Lucky’, a song I do like but never thought that it fitted in with the rest of ‘OK Computer’. That could be down to the fact that I first heard it on the ‘Help’ Charity album from 1995. Personal taste I suppose. 

Unlike the majority of my posts, this is designed for CD length instead of vinyl. The original link that the band posted to donate to Extinction Rebellion still works if you fancy making a donation. https://chuffed.org/pay/campaign/62932. 

1. Motion Picture Soundtrack (Solo Piano)
2. Airbag (Unmastered Album Version)
3. Paranoid Android (Late Mix)
4. Subterranean Homesick Alien (Late/Final Version 3 – Different Intro)
5. Exit Music (Late Mix)
6. Let Down (Thom 4-Track)
7. Karma Police (Unmastered Album Version)
8. Polyethylene – Part 2 (Late Mix w/Vocal Effect)
9. How I Made My Millions (Single B-Side)
10. Lull Single (B-Side)
11. What Do You Mean (Take 2)
12. Attention (Thom 4-Track)
13. Fitter Happier (Solo Piano Demo)
14. Electioneering (Unmastered Album Version)
15. Climbing Up Walls (Unmastered Album Version)
16. No Surprises (Late Mix, Original Speed)
17. Lift (Alternative Version, Mix #1)
18. Man Of War (OKNOTOK Version) 
19. The Tourist (Unmastered Album Version 3)

For the cover of this compilation, I used one that was produced on SkillShare for a project to come up with a alternative sleeve. https://www.skillshare.com/projects/OK-Computer-alternate-album-cover-DKNG-textures-and-halftones/23899

You really know when you are getting on a bit when the music of your youth becomes the subject of box set retrospectives, containing rare tracks, forgotten artists and the odd unreleased song. Between 2019 and 2021, there were three of these looking at the British music scene in the 1990s. These were ‘Steve Lamacq – Lost Alternatives’ (2019), ’Martin Green Presents: Super Sonics – 40 Junkshop Britpop Greats’ (2020), ’Caught Beneath The Landslide (The Other Side Of Britpop And The ‘90s (2021)’. These were jam packed with names I remember but loads that I did not. What I have been surprised about is that there has not been a second volume.

I thought I would see if I could produce my own box set following a similar template laid out by the ‘Lost Alternatives ’ by choosing tracks from the whole decade, but I would not be allowed to use any songs from the three compilations above*. I would also not be allowed to any songs that I have placed on any of the compilation or lost albums that I am posting or already posted this year. I also could not use the same artist more than once (unless guesting with someone else). This did prove to be a bit of a challenge but this is what I came up with. 

Some of the more well known names represented with rare tracks such as B-Sides. I have also looked to include only bands from the British Isles, even though the odd interloper will make an appearance. Steve Lamacq also had nothing to do with this either. 

Disc 1

1. Heavenly Pop Hit – The Chills
2. Rollercoaster – The Jesus & Mary Chain
3. 13th Disciple  – Five Thirty
4. Kinky Love – Pale Saints
5. Inertia – Blur
6. Dogs With No Tails – The Pale
7. Which Way Should I Jump? – Milltown Brothers
8. Twiggy Twiggy – Pizzicato Five
9. Here’s Where The Story Ends – The Sundays
10. Alternative Title – Carter, The Unstoppable Sex Machine
11. Funny How – Airhead
12. Touched By The Hand Of Cicciolina – Pop Will Eat Itself
13. Yr Own World – The Blue Aeroplanes
14. Obscurity Knocks – The Trash Can Sinatra’s
15. Cherry-Coloured Funk – Cocteau Twins
16. Gimmie Some Truth – The Wonder Stuff
17. Flying – The Telescopes
18. Sweetness & Light (Demo) – Lush
19. Leave The All Behind – Ride

Disc 2

1. Unstable – Flamingoes
2. If I Can’t Change Your Mind – Sugar
3. Judy Over The Rainbow – Orange
4. Dream – Pooka
5. Lowdown – Elextrafixation
6. Without Doubt – Mantaray
7. City Sickness – Tindersticks
8. Girl At The Bus Stop – My Drug Hell
9. Kent – Salad
10. Still Hanging Around – AutoPop
11. Every Day – Brianpool
12. Halo – Girl Of The Year
13. What’s What We’ll Do – The Poppies
14. Not Even Starcrossed – Telstar Ponies
15. In The Groove Again – Out Of My Hair
16. Undecided – Shack
17. So Glad (Album Version) – Thrum
18. White Love (Radio Mix) – One Dove
19. Souvlaki Space Station – Slowdrive
20. (Come On, Join) The High Society – These Animal Men
21. Kenuwee Head – Voodoo Queens

Disc 3

1. Who’s That Girl – The Mystics
2. Disco Hell – The Candyskins
3. Go Go Pepper – Tip Top Planets
4. Lewis Brightworth – Thurman
5. Seems You’ve Missed Sunday – The Weekenders
6. Out Of The Void – Grass Show
7. Sucrose – The Delgados
8. Spice Girls (Who Do You Think You Are?) – Period Pains
9. Teenage Girl Crush – Angelica
10. Mail Monarchy – Compulsion
11. Stand Up – Lick
12. Me & Mr Lonely – Pimlico
13. Working On A Beautiful Thing – The Pooh Sticks
14. Fear Of Flying – Ruth
15. The Milkman – Mice
16. Strawberries & Cream – Boutique
17. Sex & Cheques – Jolt
18. Kylie & Jason – Midget
19. Ignoramus (Alternative Version) – Baby Chaos
20. Ecstacy – Deluxor
21. Strength – Comet Gain
22. Loves A Cliché – The Karelia
23. I’m In Love – Taxi Driver
24. Twist – Arnold
25. Alfie – Don
26. Welsh Bands Suck – Teen Anthems

Disc 4

1. Heavens Above – Hillman Minx
2. Say Something – The Smiles
3. I Messiah, Am Jailer – AC Acoustics
4. Overthrown – Labido
5. I Was Starving Hungry (In Tesco’s) – Mogul
6. Hot Topic – Le Tigre
7. Daria – Chicks
8. Girlie Pop – Pop Tarts
9. Super Sexy Razor Happy Girls – Mika Bomb
10. Spyder – Jetsons
11. The Wee Wee Song – Girlfriendo
12. Ray Liotta – Linoleum
13. Jediwannabie – Bellatrix
14. Killing The Bland – Prolapse
15. Dirty Weekend – The Dandys
16. The Hymn For The Cigarettes – Hefner
17. Sweeping The Nation – Spearmint
18. The Book Lovers – Broadcast
19. Looking For Sparks – Seafruit
20. Shirley Wall – Doberman
21. Better Made – Head-swim
22. Baby Come On – Spacemaid
23. Disco 2000 (Original Mix) – The Lance Gambit Trio

The cover is adapted from one used for a Spotify playlist which represented tracks that didn’t quite make the ‘Lost Alternatives’ four CD box set. 

*I suspect that I will have doubled up on at least one song.

Oasis in their mid 90s pomp always boasted that some of their best songs were relegated to the B-Sides of their singles and a collection of these flip sides were collected together on ‘The Masterplan’ compilation which was released in 1998. Taking a look at the other big hitters from the era, Oasis were the only band to do this (as far as I can tell) so I thought it would be an interesting experiment to see if there was enough material from some of these other bands to do the same. This is the first of these B-Sides Collections and it is the mighty Supergrass that get this honour.   

These date from their first releases on Parlophone in 1995 up until the last album of the decade in 1999. Unlike their standard albums, there are a couple of covers on here. The title takes it name from ‘Wait For The Sun’, one of the B-Sides from the ‘Lenny’ single. An awesome song and such a shame that it was relegated to a B-Side. 

Side A

1. Believer (Moving – 1999)
2. Nothing More’s Gonna Get In My Way (Richard III – 1997)
3. Condition (Alright – 1995)
4. Melanie Davis (Going Out – 1996)
5. Some Girls Are Bigger Than Others (Sun Hits The Sky – 1997)
6. Faraway (Acoustic Version) (Moving – 1999)

Side B

1. We Still Need More (Than Anyone Can Give) (Late In The Day – 1997)
2. What A Shame (Pumping On Your Stereo – 1999)
3. Lucky (No Fear) (Pumping On Your Stereo – 1999)
4. 20ft Halo (Richard III – 1997)
5. Odd? (Mansize Rooster – 1995)
6. Wait For The Sun (Lenny – 1995)

The sleeve is adapted from the Hollywood Bowl 2003 bootleg, with a slight change to the graphics. A nice pastiche of The Beatles Second album cover, ‘With The Beatles’.

Kate Bush has been one of the most innovative and eclectic songwriters of the last 50 years. She was an innovator because she moved away from conventional instrumentation, being one of the earliest exponents of the Fairlight CMI sampler. She was one of the first people to use a headset wireless microphone so her hands would be free during the choreographed dance sequences of her one and only concert tour. She was also the first female artist to achieve a number one hit single in the UK charts with a songs that she had written herself. None of her original albums have failed to break the top ten in the UK charts, and her singles have also achieved high chart status on a regular basis. Not bad for someone who has only released two albums this century. 

As is my want at this time of year, I have decided to put together a Christmas themed what-if release, and as this is the season of good will, I have added a second one for good measure. The first is a selection of recordings Kate Bush has completed that have a Christmas theme. There aren’t many different songs that could have been included here and three versions of the same song might be overkill, but they are all different so I am sure the Kate Bush completist would like it.  

‘December Will Be Magic Again’ in its original studio version was recorded in 1979 but not released until a year later. It was a Top 30 hit in the UK and did a lot better in Ireland. This is followed by ‘Home For Christmas’ which originally appeared in the Comic Strip Presents film, ‘Wild Turkey’. It then appeared on the B-Side of the UK single ‘Moment of Pleasure’ which came out in 1993. She also privately pressed a number of these on a 3” CD single (anyone remember these?) which were sent out as a Christmas card. We end Side A with a non Christmas song, but it did feature in the Kate Bush Christmas Special that was broadcast in 1979. It was written as an introduction to guest Peter Gabriel and was performed as a three part harmony with her brother Paddy and Glenys Groves. Side B has two more versions of ‘December Will Be Magic Again’. The first is from the aforementioned Christmas Special and was performed live with Kevin McAlea on Keyboards, with Kate on piano and vocals. The last song is the bongo mix of ‘December Will Be Magic Again’ which has, as far as I can tell, not appeared on a Kate Bush released but has found a home on Christmas compilation albums down the years. 

The Christmas EP

Side A

1. December Will Be Magic Again
2. Home For Christmas
3. The Angel Gabriel (Kate – Christmas Special 1979)

Side B

1. December Will Be Magic Again (Kate – Christmas Special 1979)
2. December Will Be Magic Again (Bongo Mix)

The second EP complies folk songs that Kate Bush has released. I was quite surprised that she had covered any at all, considering that she has focused mostly on her own compositions. The opening song was released in 1996 for a compilation album ‘Common Ground – Voices of Modern Irish Music’. Bush herself was born in England but her mother was from Ireland and said that he mother helped out with the recording as she is not a speaker of the Irish language. She had to learn it phonetically before laying down her recording. The song itself tells of a woman that represents Ireland, and is given over her gifts (such as cattle, her land and even herself) to the cruel English and wondering why Irish men do nothing to defend her. 

The second might be pushing it a bit as being a folk song, because it is not a traditional song like the others on this disc, but was written by Donovan for his ‘HMS Donovan’ album. Donovan may well have started off as a folk singer but quickly morphed into something distinctively more psychedelic. ‘HMS Donovan’ was his second album directed at children and did draw on traditional folk songs, poems and hymns. Bush covered the song for the B Side of her ‘Sat In Your Lap’ from 1981. 

Side B starts with another Irish folk song, ‘My Lagan Love’. The Lagan might refer to the river of the same name that runs through Belfast or a stream that flows into Lough Swilly in County Donegal. ‘The Handsome Cabin Boy’ is another traditional folk song which refers to girls impersonating sailors and heading off for a life at sea. This was released on the B-Side of the ‘Hounds of Love’ single in 1986. Even though this is a traditional song, some pressings of this single credited Bush as the sole writer of the song, instead of the trad arr. by credit you’d expect. It is a shame Kate Bush did not release more traditional songs as she had an excellent voice for interpreting this style of music. 

The Folk EP

Side A

1. Mna Na H’Éireann (Women Of Ireland)
2. Lord Of The Ready River

Side B

1. My Lagan Love
2. The Handsome Cabin Boy

I loaded up YouTube a little while back for my daily dose of new content by one of the creators I subscribe to and found that the algorithm had decided that I liked The Beatles. This is true, but this was something a bit different. The video was called “ABANDONED: This Beatles Jam Was Almost A Masterpiece Pt.1” on a channel called ‘almost beatle songs’. What I got when I clicked on it was some video of the band from the 1969 ‘Get Back’ sessions playing an unreleased/unfinished song called “Watching Rainbows”. The narrator talked about the similarities between it another Beatles song called ‘I’ve Got A Feeling”. The lyric watching rainbows had also been used in a Bee Gees song called ‘Morning Of My Life” which had been recorded in 1968 by Mary Hopkin, who was signed to The Beatles record label, Apple. The video teased that the song could have been a masterpiece if the band had worked on it a bit more and finished it off. Well, the people who produced the video decided to do just that. 

How do you finish off a Beatles song from over 50 years earlier? Well, this story goes back early 1969 when The Beatles met up at Twickenham Film Studio to rehearse material for a potential live concert. It was decided that they would only play new material. Having only just finished the sessions to ‘The Beatles (White Album)’ just over two months previously, there was a dearth of new material. It had also been decided that a film crew would be on hand to record the rehearsals as part of a TV documentary, culminating in the aforementioned live concert. The soundtrack of the film was recorded on two mono Nagra tape recorders. At some point in the 1970’s, these tapes were stolen from The Beatles archive and become a source of numerous bootlegs throughout the years. It was also a treasure trove for Beatles archeologists to hear the band working on new material, some of which never went further than a one off play through. 

So taking these unfinished tracks, using different parts from different takes and in some cases, slicing in some other unreleased material from the sessions, the people behind the channel recorded a more realised take of the song than The Beatles every did. Whilst the video of the song played, dates would appear on the screen showing which date that particular section was taken from. Over the next year, they would release a number of other songs that they had interpreted and it is a selection of these that I present today. 

Side 1

1. How Do You Tell Someone?
2. Rambling Woman
3. I Lost My Little Girl
4. Suicide
5. There You Are, Eddie
6. Watching Rainbows (Melody Version)
7. Taking A Trip To Carolina

Side 2

1. Madman
2. Pillow For Your Head
3. Child Of Nature
4. Window Window
5. Case Of The Blues
6. Woman
7. All I Want Is You

All I Want Is You (Lennon)

The original recording sounds nothing more than the band warming up in the studio. Not a lost classic by any stretch of the imagination but this version takes elements of ‘Hey Jude’ and because of this, it finishes the set off nicely.

A Case Of The Blues (Lennon)

As far as I can tell, this was not presented to The Beatles as a song to record during the ‘Let It Be’ sessions, but predates it by about a year. That does not mean it wouldn’t find a home here. The Beatles would resurrect all sorts of songs during these sessions including ‘One After 909” which was one of the earliest songs Lennon and McCartney wrote together. 

Child Of Nature (Lennon)

Inspired by a lecture given by the Maharishi Mahesh Yogi during The Beatles’ stay in India, early in 1968. The song was demoed for ‘The Beatles’ and played during the ‘Let It Be’ sessions. The melody and the tune were kept but the lyrics would be completely changed before being released on Lennon’s 1971 ‘Imagine’ album. 

How Do You Tell Someone? (Harrison)

A quick run through of this song was as far as The Beatles got with this George Harrison song. 

I Lost My Little Girl (McCartney)

McCartney says that this was one of the first songs he ever wrote on a guitar in around 1956. It was played during there ‘Let It Be’ sessions with John Lennon on lead vocals. The version presented here is a lot darker than the Buddy Holly inspired track that McCartney himself would perform on his “Unplugged’ performance in 1991. 

Madman (Lennon)

Attempted at least twice during the ‘Let It Be’ sessions, the song shares certain similarities to another Lennon song, ‘Mean Mr Mustard’.

Pillow For Your Head (McCartney)

Performed twice during the ‘Let It Be’ sessions, this was never attempted again. The folks over at Almost Beatle Songs needed to have an educated guess as to what some of the lyrics were on this one as the original recording, his vocals are really hard to hear. 

Rambling Woman (Harrison)

On the original recording, this sounds like George Harrison is doing his best Bob Dylan impression. 

Suicide (McCartney)

Another McCartney song that dates from the 1950’s, he is said to have offered it to Frank Sinatra to record but with a title such as this, it would seem that Blue Eyes decided to pass. 

Taking a Trip To Carolina (Starkey)

Unlike the original ‘Let It Be’ album, we have included a song written by Ringo. The original snippet of this song was included on the ‘Fly On The Wall’ bonus disc which was included on the ‘Let It Be…Naked’ album from 2003

There You Are, Eddie (McCartney)

McCartney wrote a song about his dog Martha for the ‘The Beatles’ album. As far as I can tell, this was written about his other dog called Eddie. 

Watching Rainbows (Lennon/McCartney)

The tune is similar to ‘I’ve Got A Feeling’ and some of the improvised lyrics hark back to ‘I Am The  Walrus’. 

Window Window (Harrison)

Harrison once again channels his inner Dylan with a bit of Simon and Garfunkel thrown in. Seemingly inspired by his marriage to Patti Boyd. 

Woman (McCartney)

A song that did make it out of the sessions, four years before it was played at the ‘Let It Be’ sessions. McCartney had given this song away to Peter & Gordon but insisted that the writing credit would be for Webb as he wanted to see if the duo would have a hit with a song that was not obviously written by Lennon/McCartney. 

I decided that fourteen songs was the correct amount of songs to include here as the majority of The Beatles UK albums had this number of tracks. There is also a nice balance between the amount of songs the three main songwriters get, including one from Ringo to boot. Listening to these songs lifts the lid on an alternative ‘Let It Be’ album. All songs credited to the member of the band who wrote it. You can find more of the songs recorded by this collective on the aforementioned almost beatles songs YouTube account (https://www.youtube.com/c/almostbeatlessongs), bandcamp (https://elvisorbison.bandcamp.com/album/almost-beatles-songs-vol-2) listed under Elvis Orbison on Spotify as well as their own site (https://almostbeatlessongs.com/). Elvis Orbison is the name used by musician Brett Lyda to complete this project. 

Last month I put together a version of Dennis Wilson’ ‘Hubba Hubba’ album, I wondered if there enough material to put together an album that The Beach Boys could have put out in either late 1974 or sometime in 1975. I have picked this time because after the band released in ‘Holland’ in 1973, they did not release another record of new material until 1976 when they put out ’15 Big Ones’.  What happened in those three years. Well, as was noted last month, they did try to record some new material in 1974 but these sessions went nowhere. The release of the ‘Endless Summer’ compilation meant that the band started to focus more on touring. Murray Wilson, father to the Wilson brothers passed away in 1973 and Brian retreated into his bedroom to abuse drugs and over eat. With all of these factors, the creativity of the band disappeared and the great run of albums they had been making was derailed. 

So what if the record company had demanded a new album? Well, the band did not seem keen to return to the studio so what about an LP of outtakes. As it turns out, there was plenty of material to put together a double, but I felt that a single would be more appropriate. The album also shows how far musical styles had changed. ‘Soulful Old Man Sunshine’ and ‘Loop De Loop (Flip Flop Flyin’ In An Aeroplane)’ bely their late 1960s origins. The album runs in an almost chronological order and if the record company wanted to put out a single from this release, the best song to fit the bill (in my opinion) is ‘Hard Time’. I decided that ‘Loop De Loop (Flip Flop Flyin’ In An Aeroplane)’ would have been an appropriate B-Side. There isn’t any Dennis Wilson material because all of his unreleased material is on the aforementioned ‘Hubba Hubba’ released. 

What were are left with is a good album, showing that the band were keeping some quality material in the archive. Its not a classic but what album of unreleased material is. I do believe that this is a better record than any the band released in real life after ‘Holland’. 

Out In The Country (Version 2 Edit)

Two songs were recorded with the same name. One is an instrumental but this version is a vocals only. It would eventually be released as part of the 1972 sessions CD in the ‘Sail On Sailor’ Box Set. I edited out the studio chatter at the start and then edited the end so that it faded out. 

Soulful Old Man Sunshine

Recorded late 1969, this one of the many songs recorded for the ‘Sunflower’ album which did not make the cut. It remained in the vaults until it came out in 1998 on the ‘Endless Harmony’ compilation. It was said to have been include on the 1993 Box Set, ‘Good Vibrations – Thirty Years of The Beach Boys’ but it was vetoed for this by Carl Wilson. This was because he fluffed his lines somewhat, singing ‘shunshine’ instead of ‘sunshine’.  

H.E.L.P. Is On The Way

There can’t be many songs out there that have the word enema mentioned in the lyrics. It also mentions the Radiant Radish, a West Hollywood health food shop once owned (and sometimes manned) by Brian Wilson. Wilson could be seen serving in the shop wearing a dressing gown and pyjamas as he usually opened the shop up when he could be bothered, normally at night. The subject matter of the song deals with Wilson’s self-image and eating problems. The song was recorded during the ‘Surf’s Up’ sessions but would first see the light of day on the ‘Good Vibrations – Thirty Years of The Beach Boys’ box set. 

Games Two Can Play

The lyrics refer to Joe South and his recording of ‘Games People Play’, but we can only speculate as to what songwriter Brian Wilson meant by games two can play. He once again refers to his weight by saying he is as fat as a cow. This and the previous song on this collection were slated to appear on the unreleased 1977 album, ‘Adult/Child’. The song was recorded during the ‘Sunflower’ sessions but would first see the light of day on the ‘Good Vibrations – Thirty Years of The Beach Boys’ box set

Sweet & Bitter

The song was recorded during the ‘Surf’s Up’ sessions and would first see the light of day on the ‘Feel Flows – The Sunflower & Surf’s Up Sessions’ box set. 

It’s Natural

The song was recorded during the ‘Surf’s Up’ sessions and would first see the light of day on the ‘Feel Flows – The Sunflower & Surf’s Up Sessions’ box set.

Won’t You Tell Me

The song was recorded during the ‘Surf’s Up’ sessions and would first see the light of day on the ‘Feel Flows – The Sunflower & Surf’s Up Sessions’ box set.

Oh Sweet Something

It would be released as part of the 1972 sessions CD in the ‘Sail On Sailor’ Box Set.

Hard Time

The song was recorded during the ‘Holland’ sessions and would first see the light of day on the ‘Sail On Sail – 1972’ box set.

We Got Love

Recorded for the ‘Holland’ album and it did make the track listing until Reprise, the band’s record label at this time decided that the recorded did not have a hit single on it. This song made way for ‘Sail On Sailor’. However, there was a mispress in Germany and a small number of copies with the  original track listing came out. It would eventually be officially released in 2016 as a bonus track on the SACD version of the ‘Holland’ album. 

Where Is She?

There is a resemblance between this song and ‘She’s Leaving Home’ by The Beatles. The song was recorded during the ‘Sunflower’ sessions and would first see the light of day on the ‘Made In California’ box set.

Seasons In The Sun

Recorded prior to the release of the more famous version by Terry Jacks, this song is a reflection by the narrator of the life he has lived and those who spent their time with him. Originally written by Jacques Brel, Jacks rewrote the lyrics and was called into to produce The Beach Boys version. Mike Love said the band didn’t like their version, stating that it was the wrong song for them.  The song was recorded during the ‘Surf’s Up’ sessions and would first see the light of day on the ‘Feel Flows – The Sunflower & Surf’s Up Sessions’ box set.

Loop De Loop (Flip Flop Flyin’ In An Aeroplane)

The song started out as a demo by Carl and Brian Wilson which was recorded for the ’20/20’ sessions in 1969. Al Jardine decided to rework the song, added all sorts of instrumentation and special effects. Jardine was not happy with the vocals and the song remained in the vaults until finally being released with a new vocal on 1998 ‘Endless Harmony’ compilation. This is the original 1969 mix. 

Side A

1. Out In The Country (Version 2 Edit)
2. Soulful Old Man Sunshine
3. H.E.L.P. Is On The Way
4. Games Two Can Play
5. Sweet & Bitter
6. It’s Natural
7. Won’t You Tell Me

Side B

1. Oh Sweet Something
2. Hard Time
3. We Got Love
4. Where Is She?
5. Seasons In The Sun

Single B-Side

Loop De Loop (Flip Flop Flyin’ In An Aeroplane)

I have tried to use as close to the original mix as possible because some of these songs have have updated mixes on recent compilations. 

The cover and title come from Reddit under, Circlonta6a who made a number alternative sleeves for Beach Boy records. 

As I come to the end of my year of Psychedelic playlists, I thought I would throw a reimagined version of one of the great psych albums. That is ‘Piper At The Gates Of Dawn’, the debut album from Pink Floyd. This was the only album to include original guitar player and main songwriter, Syd Barrett when at the hight of his powers. His tenure in the band was short lived, which if you have seen the recent ‘Have You Got It Yet?” film could have been down to a personality disorder exasperated by his drug intake. The album could only have come out in the late 60s, with its songs covering subjects such as the I-Chang, gnomes, bikes and with references to children’s literature. The psychedelic jams are also very much of their time. 

With the Floyd over the past ten years or so finally given the archives a bit of a clear out, it was nice to see what there was to come up with an album that was in my opinion all killer and no filler. That meant including the single A-Sides of ‘Arnold Layne’ and ‘See Emily Play’. Singles at this time were, for the most part, were left off of albums but not always. There is the exclusive B-Side of ‘Arnold Layne’ as well to consider. ‘Candy and a Current Bun’ was originally known as ‘Let’s Roll Another One’. The lyrics and title were changed after pressure from the record company due to their overt references to drugs. It didn’t stop Barrett from including the word ‘Fuck’ in the re-recording in such a way that it was missed by everyone not listening closely enough. For this what-if album, that originally version is included here and is the one song on this compilation that the Floyd have not released officially. Why not I ask, considering a recording of it does still exist and has been present on bootlegs, in edited form. The instrumental middle section always seems to be missing form the persons I have heard. 

I have always found Pink Floyd’s psychedelic noodling became a little tedious after a couple of listens and ‘Interstellar Overdrive’ is no acceptation. Due to the additional tracks, but wanting something to compliment ‘For R. Too H.” I thought about editing down ‘Interstellar Overdrive’ to a more manageable length but on the 40th Anniversary of ‘Piper At The Gates of Dawn’ from 2007, there were a couple of different versions. The ‘French Edit’ fades out but ‘Take 6’ is complete so I used this instead. It doesn’t have the awesome ending the original LP version has but in this case less is more. I have also included an alternative version of ‘Matilda Mother’ which has completely different lyrics.

The rest of the album is as you were, even though I suspect to get the most out of this release, all the songs would have to have been released in mono. 

Side 1

1. stronomy Domine
2. Lucifer Sam
3. Chapter 24
4. See Emily Play
5. Flaming
6. Pow R. Toc H.

Side 2

1. Arnold Layne
2. Interstellar Overdrive (Take 6)
3. The Gnome
4. Let’s Roll Another One
5. The Scarecrow
6. Matilda Mother (Alternative Version)
7. Bike 

The cover was one that I came across online but did not make a note of who the creator was. Whoever you are, thank you especially as this is considerably more psychedelic than the one the original album had. 

Dennis Wilson was not the first member of The Beach Boys to release a solo record. His brother Brian got there in 1966 when ‘Pet Sounds’ song ‘Caroline, No’ came out under his name and not the name of the band. Brian was at it again in 1967 when the ‘Smiley Smile’ song, ‘Getting Hungry’ came out credited to Wilson and band mate/cousin Mike Love. What can be said about his 1970 single, Sound Of Free’ is that is was, arguably, the most surprising. Granted, he had started to write and contribute songs to the last couple of Beach Boys albums, but a solo record? Backed with ‘Lady’, the single only came out in a small number of countries. These were the UK, Netherlands, Ireland, France and New Zealand. The single was not a hit in any of these territories. 

The single was listed as being by Dennis Wilson and Rumbo. Rumbo was the pseudonym of Daryl Dragon, who at this time was playing keyboards in The Beach Boys band. Dragon would be one of a number of co-writers that helped Wilson with his compositions. It would seem that Wilson was not only working on songs to be presented to The Beach Boys, but also had enough material for a solo album. He would work on this material between 1970 and 1971, even pulling his material from the ‘Surf’s Up’ album, which some have said is because he wanted them for his own record. I wrote about the reasons this happened in my previous post. 

A few titles have been put forward for this album, including ‘Freckless’, ‘Poops’ and ‘Hubba Hubba’. The ‘Poops’ name came because Wilson and his second wife, Barbara Charren called each other Big Poop (the former) and Little Poop (the latter). The majority of the songs from this period were inspired by Barbara and Wilson’s love for her. Work continued along with touring commitments, Wilson’s appearance in the film ‘Two-Lane Blacktop’ and work on The Beach Boys albums themselves. Stephen Desper, The Beach Boys studio engineer at this time said ‘ninety percent of it was ninety percent done’. So why didn’t it come out?

No one can quite say. Wilson could have lost interest in the project or it could have been down to the fact some of his songs that he was keeping for this solo album were used for the ‘Carl & The Passions – So Tough’ album. Whatever happened, a good deal of these songs remained in the vault and we have had to wait nearly fifty years for the majority to be released. The wonder box set, ‘Feel Flows’ box set continuing the most of them. Last year, a few sites tried to reconstruct this album but I have come at this at a slightly different time/angle than they did. These others were looking at an album that would have come out in 1971. I propose that this Dennis Wilson album would have come out in 1974 instead. 

Why did I go with this date? Well, The Beach Boys had released at least an album a year up to 1973, but then there was a gap of a couple of years. In 1974, a compilation called ‘Endless Summer’ came out and focused on their surfing and car songs from the mid 60s. The album became a massive hit and made them a major live draw, but it had the knock on effect of  refocusing the band into more of an oldies act than the progressive band they had become. 

There were some sessions in 1974 but the will does not seem to be there to really get to work on a new album. However, a couple of the songs recorded during these sessions were Dennis Wilson originals. What happened if Dennis had taken these songs along with everything he had left in the archive and constructed his first solo album, three years before his cult classic ‘Pacific Ocean Blue’ came out. Well, this is what I came up with.  

Unlike previous efforts to reconstruct this album, I did not want to include anything that had already been released. Therefore, none of the songs that I included on my previous Dennis Wilson post (insert link to previous post here). It needed to be strictly songs that had not seen the light of day before. The majority of the songs do come from the 1971 sessions, but there are a couple of songs from the late 60s which does make the sound of the album a little disjointed. If this had been released at the time, I am sure the 60s songs would have been remixed to make them sound more contemporary. 

Even though this album is a little disjointed in terms of sound, it does prove that Dennis Wilson was an excellent song writer who was going through a hot streak in the early 70s that most artists can only dream about. Why material of this quality were left in the vault is beyond me, even if some of the songs that have come out do sound as though there were unfinished or did not get past demo recordings. 

Side 1

1. The Gong (Edited)* – 1968
2. Barnyard Blues – 1974
3. My Love Lives On – 1974
4. Barbara – 1971
5. It’s A New Day – 1971
6. Hawaiian Dream – 1971
7. Medley: All Of My Love/Ecology – 1971

Side 2

1. I’m Going Your Way – 1969
2. A Time To Live In Dreams – 1969
3. Before – 1971
4. Carry Me Home – 1973
5. 4th of July – 1971
6. (Wouldn’t It Be Nice To) Live Again – 1971

*The Gong seems to be Dennis Wilson mucking around in the studio. However, there was a small section which sounded like a good introduction to this LP. 

The cover is adapted from an article that was included in Shindig Magazine. I’m afraid I am not sure when the article was written though but I think it was in late 2021. None of the titles suggested by Wilson for this were particularly good, but ‘Hubba Hubba’ was already on the cover I used and it considerably better that ‘Poops’. Maybe Dennis should have spoken to Mike Love about this. Love has always maintained that he is a title guy. 

In life, Dennis Wilson was the rock and roll animal sitting behind the drums whilst leading a drug and alcohol induced descent into what was an early death. However, scratch the surface and there was a lot more to this man than first met the eye. He appeared in cult film ‘Two-Lane Blacktop’, inspired Fleetwood Mac’s Christine McVie to write ‘Only Over You’ about him and was arguably the second best songwriter in The Beach Boys after his brother Brian. 

Dennis had contributed next to nothing in terms of songwriter during the early days on the band but with Brian taking a step back after the ‘Smile’ sessions, the other members of the group needed to step up. Dennis did exactly that and every Beach Boys album from 1968’s ‘Friends’ LP to 1973’s ‘Holland (excluding 1971 ‘Surf’s Up’) included at least one song written by him.

There have been a couple of reasons why Dennis didn’t place any songs on ‘Surf’s Up’. The man himself said that the songs he put forward for inclusion didn’t gel with everyone else songs. Another reason is that there was some inter band fighting going on about how many Wilson brother penned songs were going on the LP, with Carl and Brian already taking up more than half of the album time. The third, and most probably the real reason was that Dennis had been keeping songs back for a solo album. He had already released a solo single in 1970 under the name of Dennis Wilson and Rumbo. Rumbo was a name used by Beach Boys keyboard player, Daryl Dragon, who would later be known as the Captain and be one half of Captain & Tensile. 

I am getting a little ahead of myself here, but December 2023 is the 40th Anniversary of Dennis Wilson passing so in the first of two projects related to him, I have put together a compilation that could have been released by the band as a tribute to him. This would not include his lead vocals on songs prior to 1968 or the two songs he had writer’s credits on before that year either. That is because I wanted to focus on Dennis the songwriter during the period 1968 to 1973. I choose these years because after this, Dennis was focused on recording his two solo albums, ‘Pacific Ocean Blue’ and ‘Bambu’ (only one of which came out in his lifetime). This lead to him not contributing much to Beach Boys projects from 1974 onwards. I also look to only include songs that Dennis either wrote on his own or with one other person. therefore, songs such as ‘Be Here In the Mornin’ don’t make the cut. 

All the songs were released by The Beach Boys except ‘Sound Of Free’ and ‘Lady (Fallin’ In Love)’  which were released as a Dennis Wilson solo single in some European territories in1970.

Side 1

1. Sound Of Free – Solo single A-Side (1970)
2. All I Want To Do – 20/20 (1969)
3. Got To Know The Woman – Sunflower (1970)
4. Lady (Fallin’ In Love) – Solo single B-Side (1970)
5. It’s About Time – Sunflower (1970)
6. Forever – Sunflower (1970)
7. Be With Me – 20/20 (1969)
8. Only With You – Holland (1973)
9. Be Still – Friends (1968)

Side 2

1. Never Learn Not To Love – 20/20 (1969)
2. Slip On Through – Sunflower (1970)
3. Little Bird – Friends (1968)
4. Celebrate The News – Single B-Side (1969)
5. Steamboat – Holland (1973)
6. Make It Good – Carl & The Passions (1972)
7. Cuddle Up – Carl & The Passions (1972)

The cover image is a picture taken from the inner gatefold sleeve of Denny’s album ‘Pacific Ocean Blue’. I like the image so much, I thought I would also make this sleeve a gatefold. The Caribou Records and Brother Record label logos have been added as this were the labels Dennis and the Beach Boys were both on at the time. 

This mythical unreleased first solo album that Dennis Wilson was working on during the early 70s will be something I will be looking at later in the month. 

Between their first recording session in October 1966, and August 1968, the Jimi Hendrix Experience packed a lot in. Numerous tours, non album singles, three LPs (including one double), tv and radio appearances. These guys were really busy. This schedule, coupled with Hendrix’s increased perfectionism in the studio caused tension. Chas Chandler, the man who had brought Hendrix to the UK and produced the Experiences first two albums walked out of the session for ‘Electric Ladyland’, the bands third LP because of it. Hendrix would also invite friends and hangers on to the studio which also contributed to Chandler leaving. He had had enough of these people clogging up the control room. Bass player Noel Redding had also formed the band Fat Mattress, which meant he could not spend as much time in the studio with Hendrix. This would lead Hendrix to play a number of the bass parts during these sessions himself. 

With all of this going on, it is a surprise that anything would be released, let alone an album that would be eventually be hailed as a classic. Using studio techniques such as echo, back masking and flanging, the album took the template of the bands previous albums and expanded them beyond the psychedelic blues of their earlier efforts. There were blues jams, a sci-fi influenced side long studio production, hard rock, social commentary as well as a couple of notable cover version, including ‘All Along The Watchtower’, one of the few occasions where the cover is significantly better than the original. 

Today, it stands as Hendrixs’ defining LP and it was the last studio album he released in his lifetime. However, when it first came out, not all of the reviews were positive. Medley Maker called it “mixed up and muddled”. Rolling Stone commented that the original songs sometimes sound unstructured. That isn’t to say that there were some positives but the double LP’s was still a new concept in 1968, and even today, there aren’t that many artists who put one out. Most suffer from the same criticism in that there is too much padding and substandard songs. With this in mind and to celebrate 55 years since the album was released, I thought I would have a look at turning ‘Electric Ladyland’ into a single LP. 

Side A

1. And The Gods Made Love
2. Have You Ever Been (To Electric Ladyland)
3. Crosstown Traffic
4. Come On (Part 1)
5. Long Hot Summer
6. Still Raining, Still Dreaming

Side B

1. Gypsy Eyes
2. House Burning Down
3. All Along The Watchtower
4. Voodoo Chile (Slight Return)

Playing this through, this is a tight album that dispenses with the jams (Voodoo Chile) and the science fiction ramblings of “1983…(a Merman I Should Turn To Be)”. Removing both of these save up to around 30 minutes of playing time. That does still mean that a couple of other songs need to go so that the playing time would fit comfortably onto a vinyl record. ‘Little Miss Strange’ is very lightweight 60s pop and does stand out on the album as being one of, if not the weakest track. A B-Side at best. Last to go is ‘Burning Of The Midnight Lamp’. Nothing wrong with this song but it does sound a little out of place as it was already a year old by the point the LP came out, and it had already been released as a single in 1967. It sounds a little different from the rest of the album because it was produced by Chas Chandler. The rest of ‘Electric Ladyland’ was produce (and directed) by Jimi Hendrix. This was also the era were singles tended not to be included on albums so that is why this one has been dropped. 

All in all, a pretty good single album. The front cover was used for the 50th Anniversary Box Set but this is what Hendrix wanted before his record company ignored his wishes.